Utin Rini Anggraini

Catalog:
Nature body-ness

was born in 1976, Pontianak. Graduated from fine art departement, Graphic Art, Indonesian Institute of Art Yogyakarta.

AWARDS :
2002: The 100 Philip
2001: The Best Graphic Artist, Fakultas Seni Rupa, ISI, Yogyakarta

Selected Group exhibitions:
2016:
• NATURE BODY-NESS, Philo Art Space, Jakarta, Indonesia

2015:
Revitalisasi, H. Widajat Museum, Magelang, Jawa Tengah

2014:
• Neo Iconoclasts, Langgeng Gallery, Magelang Jawa Tengah
• Nandur Srawung, Taman Budaya Yogyakarta, Yogyakarta

2012:
Membatalkan Keperempuanan, Sangkring Art Space, Yogyakarta

2011:
• A.Rouse, Duo Exhibition, H.O.M., Kuala Lumpur.
• Speak Of, Jogja National Museum, Yogyakarta

2010:
• Carpe Diem, Phillo Art Space, Jakarta
• Dua Kota, Dua Cerita, Semarang Gallery, Semarang
• Room is Mine, Edwin Gallery, Jakarta

2009:
• Expo Sign, Jogja Expo Center, Yogyakarta
• Borderless World, Taman Budaya, Yogyakarta
• Hang Out: Pameran Grafis, Kedai Belakang, Yogyakarta
• Hello Print, Edwin Gallery, Jakarta
• Kunduran Truk, Kersan Art Space, Yogyakarta
• Tenggara, Novas Contemporary Urban Centre, Liverpool

2008:
• ArTriangle, Soka Gakkai, Malaysia
• Art Singapore, Singapore Art Fair
• G-8, Bale Black Box, Yogyakarta
• Komedi Putar, Jogja Gallery, Yogyakarta
• Untukmu Perempuan Indonesia, Museum Arsip, Jakarta
• Lullaby, V Art Gallery, Yogyakarta

2007:
• iBUMI, Global Warming Kunstkamera, Garuda Wisnu Kencana, Bukit Ungasan, Bali
• Ride the Lighting, Parker Space, Yogyakarta

Nana Tedja

Catalog:
Nature body-ness

 

was born in Yogyakarta, Indonesia 1971. Graduated from fine art departement, postgraduate programme at Indonesian Institute of Art Yogyakarta.

AWARDS :
1999 : The Winsor Newton World Wide Millenium Painting, Competition

Solo Exhibition:
2008: IDOL, Jogjakarta National Museum
1999: Bebas Merdeka, Bentara Budaya Yogyakarta
1996: Warna Dunia, melia hotel Yogyakarta

Selected Group exhibitions:
2016:
• NATURE BODY-NESS, Philo Art Space, Jakarta, Indonesia
• OPEN STUDIO ARTjog (mei-juni)

2015: Dies natalis Gajahmada University

2013-2015 exclusive contrac with menegement art in USA.

2013:
• Ambassador people art- ambassador gallery, miami, Florida, USA
• suka pari suka dan sahabat kartika, museum affandi dan bentara budaya
• Senirupa PP MUHAMADIYAH, Bentara Budaya Jakarta

2012:
• Asia Raya, Museum Widayat
• Negari Ngayogyokarto, Jogja Nasional MUSEUM
• Pameran 4 kota, bentara budaya Jakarta, Bali, Jogjakarta, Surabaya.

2011:
• Galeri Apik Jakarta- Taman Budaya Yogyakarta
• Seven Receipes, Bentara Budaya Jakarta

2010:
• Jogja Biennale Jogja Jamming, Yogyakarta

2009:
• Exposign 25 tahun ISI- Jogja Expo Centre
• Untukmu perempuan Indonesia, Gedung Arsip Nasional Jakarta

2008:
• Aseana Gallery Singapore
• Red Distrik Project- Koong Galeri Jakarta
• Gong shi Fat tjoy, Galeri biasa Yogyakarta
• project art –by Langgeng Galeri

2007:
• Luar Biasa, Galeri Biasa Yogyakarta
• Homage homeside, Pameran besar ISI, Jogja Nasional Museum.

2000 – 2006 : Jogja biennale

2002: Pameran di museum H. Widayat

1999:
• Expresi seni, Darga Gallery, Bali
• Finalis winsor newton competition, Galeri hidayat, Bandung

1998: Bazart, Museum benteng Vredebrug

BOOK :
• BIASA BERCERITA, antologi cerpen. Penerbit Esensi ERLANGGA Jakarta
• CERITA ISABEL, novel remaja, penerbit galeri biasa (indie)
• Menulis beberapa skenario kisah2 miste

Paul Hendro

Catalog:
1oth ANNIVERSARY

Education at IKIP Fine Art Jogyakarta

AWARDS :
2006 : The Best 5 (five) Winner Jakarta Art Award
2005 : The Best 5 (five) Winner “Golden Palette” Jakarta
2003 : The Best 5 (five) Winner Indonesian Asean Art Award
Finalis Indofood Art Award

Selected Group exhibitions:
2015:
10thAnniversary, Philo Art Space, Jakarta, Indonesia

2013 :
Pameran Jakarta properties di Galeri Nasional
2012 :
Pameran sang juara di Galeri Nasional oleh YSRI
2010 :
Pameran seleksi Noah di Nort Art Space Ancol Jakarta
Pameran bersama di Philo Art Space Jakarta
2009 :
Pameran bersama para pemenang JAA “The Running Stars” di Nort art Space Jakarta

Herianto Maidil

Catalog:
1oth ANNIVERSARY

Herianto Maidil

Padang 11 May 1979.
Indonesian Institute Of Art, Yogyakarta

Selected Group exhibitions:
2015:
10thAnniversary, Philo Art Space, Jakarta, Indonesia

BAKABA#4 (Komunitas Seni Sakato) jogja gallery, Jogjakarta

2014:
“BAKABA#3 (Komunitas Seni Sakato) (Komunitas Seni Sakato) jogja gallery, Jogjakarta

2013
Karya Untuk Kawan, Gallery Nasional Jakarta
Refleksi Hari Buruh Migran Internasional, Gallery Cipta II TIM Jakarta
3D Mural painting,”Locafore”Kota Baru Parahyangan, Bandung

2011
pameran bersama “Aestietic Respons” Elcana Gallery Jakarta

Saepul Bahri

Catalog:
1oth ANNIVERSARY

 

Saepul Bahri

Awards & Achivements

2004 : Best Still Life, FSR ISI Jogajakarta, Indonesia
1999 : Best Oil, FSR ISI Jogjakarta, Indonesia
1999 : Best Figurative, FSR ISI Jogjakarta, Indonesia
1998 : Best Sketch, FSR ISI Jogjakarta, Indonesia
1998 : Best Water colour, FSR ISI Jogjakarta, Indonesia

Selected solo Exhibitions
2009 : Journey , Philo Art Space Jakarta, Indonesia
2008 : Travelling Imaginary, Philo Art Space Jakarta, Indonesia

Selected Group exhibitions:
2015:
10thAnniversary, Philo Art Space, Jakarta, Indonesia

2013 :
EGO, KOI Caffe Gallery Kemang Jakarta

2012 :
The Joys of EVERYDAY RITUAL Bali + Lombok, KOI Caffe Gallery Kemang, Jakarta

Indonesia di Mata Perupa Gedung MPR/DPR RI Jakarta

2011 :
Begoendal community in Jakarta Art Bienale

Edward Bonaparte

Edward Bonaparte

Born in 1987
EDUCATION
Currently taking Master Degree in Fine Arts, Faculty of Fine Art and Design, Bandung institute of Technology

SELECTED EXHIBITION
2015:
10thAnniversary, Philo Art Space, Jakarta, Indonesia

2014
ARTOLOGIA, Galeri Hidayat, Bandung

2013
BANDUNG CONTEMPORARY : DISPOSITION, Selasar Sunaryo art space, Bandung
PROJECT 5005 : PREFACE, Galeri Kamones, Bandung
META-AMUK, Galeri Nasional, Jakarta
BAZAAR ART JAKARTA 2013, The Ritz-Carlton Jakarta Pacific Place

2011
RITE OF NOW, AJBS Galeri, Surabaya
SOEMARDJA AWARD 2011, Galeri Soemardja, Bandung
2010
BIENALLE INDONESIA ART AWARD 2010 : CONTEMPORANEITY, Galeri Nasional, Jakarta
KONVENIENT STORE, Galerie Esp’Art- CCF, Bandung
SANG AHLI GAMBAR DAN KAWAN-KAWAN, Rumah Proses, Bandung

Sonny Eska

Catalog:
SALUTE
AGREEMENT

I try to unveil this theme in my arts

It seems that we all need agreement

Deals that we obtain through many ways

Some would cover them in socks, some in pants, some in condoms, some in love, or some in disagreement.

And that’s all there is to it

Agree? Who cares.

 

Jakarta, 17 June 2015

Sonny Eska

Jerry Thung

Catalog:
SALUTE

 

Technology is like two sides of a coin; at one side it makes life easier, at the other it enslaves those who are too dependent on it. The generation growing up on the 80’s is the witness to the extremely rapid development of digital technology in the past 30 years. The wildest dreams and most outrageous imaginations of writers, artists, film makers, and artistic designers are all came to live.  

Communication technology has shortened the distance, time and space. The internet universe came to Indonesia in the mid 90’s with the use of external modem the size of a book with only several kbps which now has evolved into a modem with several Mbps that is so small it is embedded in mobile phone – itself has experienced evolution from a home phone that gets smaller, thinner and then got bigger again as the human needs evolved from a mere talking device to compact communication device where we read, communicate in audio-visual as well as verbal modes. The world is indeed in our hands.

But who is in whose hands, actually? Is the technology in our hands, or are we in the grip of technology? The fact is, from the moment we wake up to the moment we close our eyes, the mobile phone that has turned into a full-fledged sophisticated gadget is the one thing that we touch first and last. For some people, their gadgets never sleep and stand alert for 24 hours. Indeed, gadget or device has becomes a necessity, a life line. 

Is it true that gadget has grown, made easier and made social communication better? Isn’t it also true that on the other hand, gadget has made a social isolation for its user? Those who are gadget-addicts, with all their social media activities, are so engulfed in their own world in their hands that they are alienating themselves from the real world surrounding them. 

After IQ is evolved into SQ and EQ, would we need the development of GQ – the intelligence to utilize gadget? Who knows…

Based on these conditions my creations for year 2015 emerge – those that are presented in Philo Art Space.

 

June 2015

Jerry T.

 

Tommy F Awuy

 

Catalog:
SALUTE

WINE

 

Wine, a drink with low alcohol level, made out of grapes, begins their story in the mythology – ancient Greek mythology, to be precise. The story can be considered as a special myth as we have regarded wine’s relation to life itself.  It was the god Dionysius that is known as the god of wine. This god has the specific traits of recklessness, issues with orders and the authorities, and the likes. To be exact, Dionysius was a god with an interest in making pranks of the other gods and goddesses and who was wild and who was considered as a nuisance by some of the other high beings. But in essence, Dionysius was a god full of passion and love; an anti-establishment god.

Wine, especially the red wine, is no longer considered by some people as the drink that warms, but as a ‘warm drink’, a social marker for those circulating in a certain circle. Whatever. As if in wine we found me and you in a chat, making jokes, pouring our hearts out, and so on.

Red wine has a special place in the ten years journey of Philo Art Space. In the beginning there was no particular reason or meaning why the drink was offered in every exhibition. Later, it became a permanent necessity, something that must be presented, something that for those who attend the exhibition, an inseparable part of Philo Art Space. The red wine has become the marker of Philo Art Space.

Red wine seems to have become a part of Philo Art Space breath in the last ten years. Hence it becomes a muse in reflecting my personal life into art creations (paintings). Often when planning an exhibition, I can almost already see the happiness, merriment, and also the anxieties in the faces of our patrons, most of whom have already become a part of our family.

Red wine may be just a small part of a story that happens to touch us and may at some time be irrelevant, but we cannot deny that at their time, they have given us warmth that we hardly can find anywhere else. That warmth that is the drop of water that finds its way to the depth of our heart – the warmth that is love (philo).

 

Tommy F Awuy

Patrick C. Wowor

Catalog 

Disinterested

Soni Irawan

Catalog 

Disinterested

Tjokorda B. Wiratmaja (Coky)

Catalog 

Disinterested

Tri “Pandrong” Pamuji Wikanto

(more…)

Titarubi


(more…)

Sugihartono

 

 

Sugihartono vividly describes how the time machine painstakingly reaches its objective in every single person of urban people. The building, road, skateboard, stilt, and everything else are just representations that can be read as sign, while it is clear that behind it, it is the time machine that enables people to be there – moving without its individual subject.

It is revealed to us clearly each day that life at its face value can be seen on the street, at work, in malls, cafés, which present people merely as moving figures. Sugihartono unmasks the exteriority and the interiority of the time machine; the urban life and the time machine itself, where people are going to and fro without regards to each others, which in itself is a repetitive problem that gives raise to the classic question: what is the meaning of life?

Time machine concludes the meaning where human is now free of its being (ontologically). Therefore the issue of human dualism of body and soul melts into the time narration that demands such work maximization! Without doubt, all Sugihartono work offer us with implication that we are now inside the mechanistic repetition of time; carried away in the time movement that spies on the direction we are heading every time we take a step. Nothing is left?

Time is the only witness that could testify that we or our live was there and it amuses us to search for the source of that life. Generally, we already understand this concept of time that we call ‘nostalgia’. It is most probable that to Sugihartono we are still in possession of such memories of the past and it raises the question of whether time machine can totally obliterate the individual person significance.

In this regards Sugihartono tickles us on the ‘modification’ modus that signify whether nostalgia is a hidden energy that would reveal itself and present us with human creativity in overtaking the mechanistic time machine? That work is purely for the sake of work without giving any new meaning to it? That human work for a reason but then abandons the reson itself because of time constraint in their work. Ironic!

Catalog:
Time Machine
Urban in Between

Sugihartono
Gresik, October 21, 1967
IKIP Fine Art Surabaya 1988

Selected Group Exhibitions:

2013
“Time Machine”, Philo Art Space, Jakarta, Indonesia
“Meta-Amok”, Seni Rupa Nusantara, Indonesia Nasional
Gallery, Jakarta Indonesia
“Festifal Tangerang”, Universitas Multimedia Nusantara

2012
“Idiotisme”, Rumah Seni Gudeg Citra Raya, Tangerang
“Show Time”, Jonant Galeri Tangerang

2011
“Haul Pak Harto”, Crown Plaza-Jakarta

2010
JAM “The Second God” Indonesian National Gallery, Jakarta
Indonesia
“Urban in Between”, Philo Art Space, Jakarta , Indonesia
“Breakin the Wall”, Grand Theater TIM,Jakarta

2009
“Urban Behaviour”, Philo Art Space, Jakarta, Indonesia
“Menjadi Indonesia”, Studio Kayan, Gedung Arsip Nasional
Jakarta, Indonesia

2008
“Jakarta Awakening Arts”, Hotel Sultan Jakarta, Indonesia
“Fantasy Object”, Millenium Gallery, Jakarta Indonesia
“Setelah 20 Mei”, Jogja Gallery, yogyakarta,Indonesia
“JAA”, Galeri Pasar Seni Ancol, Jakarta Indonesia
“The Silence of City”, Denindo Art House, Jakarta
“Indonesia Today”, Linda Gallery Siangapre

2007
“Demi Ma(sa)”, Seni Rupa Nusantara, Indonesian National
Gallery, Jakarta Indonesia
“Keseimbangan, Serabut”, Rumah Seni Gudeg Citra
Raya, Tangerang, Indonesia
“Matra Realisme”, Gallery Surabaya, Surabaya East Java

2006
“Dari Cela Pabrik”, Rumah Seni Gudeg Citra Raya,
Tangerang, Indonesia

2005
“Dari Negri Pabrik”, Taman Ismail Marzuki, Jakarta, Indonesia
“For Aceh”, Indonesian National Gallery. Jakarta, Indonesia
“3+3=?”, Rumah Budaya Titi Hijau, Gading Serpong,Tangerang

2004
“Exhibition In Memory”, DIS, Serpong Tangerang

1998
“Bebas Bicara”, Dewan Kasenian Surabaya, Surabaya East
Java
“Warna-Warna”, Westin Hotel, Surabaya, East Java

Sardono W Kusumo

The spotlight on ‘urban culture’ is for contextual reason only. Urban issues or themes have given artists a lot of events, cases and issues that are challenging to be responded to; it is a general understanding that the changes in the society and the changes in the whole nations are coming from the changes in the urban space. Artists are challenged to take a stance about all the changes: either they have to go with the sweep of the flow or they gather their resolve and stand against it no matter how impossible it may seem.

Catalog:
Anniversary Expressions

Sardono W Kusumo
Born in Surakarta, 6 Maret 1945.

Solo Exhibitions
2012
“Choreography of Colours #3, Galeri Semarang
2011
“Coloring Colours”, Galeri Nadi – Jakarta

Selected Arts Activities
2012
Anniversary Expressions, Philo Art Space 7th Anniversary, Jakarta

2011
Opera Diponegoro : Java War
Tempat : Teater Jakarta – Taman Ismail Marzuki

2009
Diponegoro
Tempat : New York, USA
Pentas dalam rangka Muslim Voices : Arts and Ideas yang diselenggarakan oleh Asia Society – New York.

2008
Volcanoes and Rocks
Tempat : RedCat – California Institute of the Arts (CalArts)
Kolaborasi dengan David Rosenboom, I Nyoman Wenten, dan beberapa seniman musik kontemporer dari CalArts.

Opera Diponegoro
Tempat : Keraton Yogyakarta
Peringatan 100 Tahun Kebangkitan Nasional bekerjasama dengan Kesultanan Yogyakarta.

2006
Sunken Sea
Tempat : Selasar Sunaryo Art Space (Bandung)
Berkolaborasi dengan karya instalasi Sunaryo “The Mountain of Wind”

2005
Hutan Plastik
Tempat : Graha Bhakti Budaya – Taman Ismail Marzuki
Berkolaborasi dengan pianis Ananda Sukarlan

S u j a r w o

Sujarwo are presenting the optimism of today and the tomorrow. Our daily life is indeed a labyrinth, we trod without the assurance of finding a way out. It is in our urban disposition to strive to move forward, even upward reaching the sky, with the ambition of building our castle in heaven just as it was in the story of the ancient Babel tower.

Catalog:
Urban Signs

Shopassion

S u j a r w o

Born in Kendal, March 28, 1964. Education at Tinggi Kesenian
Wilwatikta (STKW) Surabaya. From 1988 – 1991 was works as
illustrator for Ensiklopedi Nasional Indonesia, first edition, published
by PT. Cipta Adi Pustaka, Jakarta, Indonesia.

Awards
2012 Indonesia Tanpa Diskriminasi Jakarta, Indonesia
2012 Finalis “UOB PAINTING OFF THE YEAR COMPETITION
2012”, Jakarta, Indonesia
2012 Finalis Jakarta Art Award(International Painting Competition2012),
Jakarta, Indonesia
2010 Finalis Jakarta Art Award(International Painting Competition2010),
Jakarta, Indonesia
2008 Finalis Jakarta Art Award, Jakarta, Indonesia

Solo exhibition(s):
2008 “Shopping Mall & Fashion”, Philo Art Space, Jakarta, Indonesia
2009 “Shopassion”, Philo Art Space, Jakarta, Indonesia

Selected Group exhibition(s):
2013
Urban Signs, Philo Art Space, Jakarta

2012
“Indonesia Tanpa Diskriminasi” Jakarta, Indonesia
“Ideal World” Jakarta International Art award 2012 NAS, Jakarta Indonesia
“UOB PAINTING OFF THE YEAR COMPETITION 2012”, Jakarta, Indonesia

2011
“My Space”,PhiloArt Space,Jakarta, Indonesia
“Nusantara Diatas Kanvas” Sampoerna Strategy”, Jakarta, Indonesia
“Drawing Art Surabaya Dimataku” Galeri House of Sampoerna, Surabaya, Indonesia
“Cultural Bridge” Wendt Gallery, New York, Amerika Serikat

2010
“Reflextion off Megacities”Jakarta International Art award 2010, Jakarta, Indonesia
“Noah’s Art”, North Art Space, Jakarta, Indonesia

2009
“Pour les Enfants de la Rue >> (PER) Jakarta, Indonesia

2008
“Jakarta Art award 2008, Jakarta, Indonesia
“Global Warming”, Jakarta, Indonesia
“S(Y)URE”, Philo Art Space, Jakarta, Indonesia.

Sutrisno Jambul

Catalog:
Watching
Sutrisno Jambul

Sutrisno Jambul was born in Jakarta, 14 October 1978. He studied basic journalistic in 2002 followed with journalistic class education in 2004 at Antara Journalistic Photo Gallery. In 2006, he pursued morning class education at Anton Ismael. He worked at Jakarta Magazine as Contributor in 2006. From 2008 – 2009 he worked as Photographer at Merdeka Daily. He is now a Photographer at Corruption Eradication Media and as an active Contributor to Demotix/CorbisNews. Some of Sutrino’s journalistic pictures had been at Guardian, Press Association Images, Bauer media group Australia.

Awards:
2001 Runner up of Photo Model Rally Fuji Film
2002 First winner of Photo Model Rally at Foto Media Magazine
2004 Runner up of creative photo at Foto Media Magazine

Selected Photography Group Exhibitions:
2014 : Watching, Philo Art Space, Jakarta, Indonesia

2012 : Pamphlet Photography Exhibition at Antara Journalistic Photo Gallery, Jakarta
2011 : “Geliat Jakarta”, FX Plaza, Jakarta
2009 : “Urbantopia”, North Art space, Jakarta
2001 – 2006 :
Photography Exhibition at Antara Journalistic Photo Gallery and at Anton Ismael, Jakarta

samy zimah

 

Catalog:
Watching
Samy Zimah

Solo Photography Exhibitions:
2012 “Illusion”, Tri Tunggal Gallery, Jogyakarta, Indonesia
2011 “Recycle”, Jogya Gallery, Jogyakarta, Indonesia

Selected Group Exhibitions:
2014 “Watching”, Philo Art Space, Jakarta, Indonesia
2013 “Homage to Asia – Liebeser Klarung an Asien”, Dresden, Germany
2012 “Anniversary”, Philo Art Space, Jakarta, Indonesia
“Katanya Indonesia”, Galeri Gudang Panglima Polim, Jakarta, Indonesia
2011 Printing ASEAN logo at the porous media

Ryan Ady Putra


Catalog:
#Hashtag
RYAN ADY PUTRA
was born in Jakarta, May 30, 1990. Education at Visual Communication Design Program, Indonesia Institute of Art Yogyakarta, Indonesia.

Solo Show :
2014: Permanent Vacation at Deus Ex Machina, Bali, Indonesia

Selected group exhibition(s):

2014: #Hashtag, Philo Art Space, Jakarta

Frankenstein Freak Show, Creatory Singapore, Singapore
Ready To Die, One Grand Gallery, Portland
Yang Maha Benda, Grafis Minggiran, Yogyakarta, Indonesia
Chilled Air, Think Tank Gallery, Los Angeles
Dailies 4, Gallery 0ne Three, Melburne
Iconoclash, Langgeng Gallery, Magelang, Indonesia
Fly On The Wall at Adelio space, New South Wales, Australia
Double Punch at Conduits Arts, Melboure
Long Bro at Blenders Studio, Melbourne
China Town Vinyl Squad, *8 Ann Siang Hill, Singapore
Neo Folk, Ikkan Gallery, Singapore

2013:
Young and Anti Social at Cult Kopi Kulture, Yogyakarta.
Horror Show, Urbanscape Festival x KULT Magazine, Selangor, Malaysia
ARTJOG13 / IVAA booth, Taman Budaya Yogyakarta, Yogyakarta
KRACK Premiere exhibition, Krack Gallery, Yogyakarta
DGTMB “Postcard Revolution”, Dia.Lo.Gue, Jakarta

2012:
New Beginning, Treant Skateshop, Semarang Indonesia
Mubal Generation, Lir Space, Yogyakarta
Let’s Go Magic Weirdos , Paper Montain gallery, Australia
Playground, Kemang 89, Jakarta
Just Because I Love You, Via Via cafe, Yogyakarta
Act a Charity Art Exhibitionby Kopi keliling, 1-15 Coffee, Jakarta
iHart, Grey door gallery, Perth, Australia
Live mural “Djarum Black mild urban culture”, Ambarukmo Plaza, Yogyakarta
Live mural at HIP HOP 4 Nation, Jogja national Museum Gnartly ( online exhibition with longboard girl crew  Indonesia)
In Future We Blur, Jogja national museum, Yogyakarta
Can’t Grow up, Co-Prosperity Sphere gallery, Chicago, America

2011:
Diskomfest 4 Culture Expansion,Jogja Nasional Museum,Yogyakarta
Intuisi, Jogja Nasional Museum, Yogyakarta
In Crakk We Trash, Cosmic Store, Yogyakarta
Drawing Revolution ,FFR / DGTMB shop Project, Yogyakarta
From Street Belong To Us, Rumah Art Café, Magelang
Drawing Lovers 3, Sangkring Art Space, Yogyakarta
Jogja Youth Fest, Jogja Expo Center, Yogyakarta
Glued sticker party, Gardu house, Jakarta

Other Activities :
2013: Artis collaboration with Ace House Collective for Jakarta Biennalle, Taman Ismail Marzuki, Jakarta. Contributor for KULT Magazine issue – 12 “Mindblown” SingaporeComission artist for Volcom artist seriesCollaboration artist for Misfit Shape Australia. 2012: Founder of Original-signature.com webzineKontributor for “Can’t Grow Up” skateboard zine, ChicagoIlustrator for Good Better Fresh Podcast #12 cover ,New yorkKontributor (cover) for RAR magzKontributor (cover) for SHARE zine. 2011: Kontributor photograph for Ace House collective, Biennale XI ,YogyakartaKontributor for “ Sewon Calling” zine , YogyakartaFounder of  “ Crakk Book” skate art rock with Ican harem and Okta Samid, Yogyakarta

 

Rinaldi


Rinaldi yang merepresentasikan ruang bawah sadar yang cukup dramatis. Mimpi bisa dibaca sebagai puisi ataupun prosa kehidupan ketika kesadaran tak sanggup menampung keinginan atau harapan kita. Bahkan mimpi mungkin merupakan cerita traumatis yang demikian jujur bahwa kita masih menyisakan waktu untuk berbuat sesuatu.

Catalog:
My Space

Rinaldi

1976 Born in Pangkalan West Sumatra. Indonesia. Indonesia
Institute of Art. (ISI) Yogyakarta

Awards
2010 : International Painting Competition Jakarta Art Award,
North Art Space Jakarta. Bienalle Indonesia Art Award Contemporaneity
Galeri Nasional Jakarta.
2005 : The Beppu Asia Binnale of Contemporary Art Japan.
2000 : Philip Morris Indonesia Art Award 2000, Gallery National Jakarta

Solo Exhibition
2008 : Kutak Kutik Kelapa. Gallery semarang. Semarang

Selected Group Exhibitions:
2011 : My Space, Philo Art Space, Jakarta. City of west
Green Artspace Jakarta.

2010 : Citra Ekspresi Jogja II Hotel
Sultan, Jakarta. International Painting Competition Jakarta
Art Award 2010, North Art Space Jakarta. Bienalle Indonesia
Art Award 2010 Contemporaneity Galeri Nasional
Jakarta. BAKABA Komunitas Seni Sakato, Jogja National
Museum, Yogyakarta.

2009 : Pameran Besar Seni Visual
“Exposigns” Jogja Expo Center (JEC), Yogyakarta.

2008 :
Tekstur Didalam Lukisan, Jogja Gallery, Yogyakarta.

Purwanto SPA


Purwanto SPA has the perspective on city exteriority which he sees only as the representation of the past in its semiotic nostalgia. Lest we forget that a city has its own time of abundance but that it has been uprooted from its mythical time to be replaced by time machine.

There’s sarcasm in Purwanto SPA’s point of view, in which that at its core, urban people are still pretty much mentally ‘backward’! People who initially so ready to overcome time but in the end are rendered helpless by their own apparatus failure to be ready. But city to Purwanto SPA is an aesthetic exterior due to the contrast of those very ‘slickness’ and ‘backwardness’. Moreover, city is seen as a significance of the merge of traditional icon and global capitalism icon just like wayang personage on dollar stage.

Urban people establish the kingdom of pleasure on behalf of sport, leveling down woods to make room for hitting on small balls while socializing, and yet still have the need for those science-fiction (or mythical?) amusement from crop circle to represent the unexpected stage of previous life?

Purwanto SPA’s critic stabs right at the heart of the issue of the heart of the city and the heart of the urban people are in their own ambiguity within the threshold of city-village, anxiously wishing whether in such ambiguity there is still hope of overcoming the mechanistic time machine that will enable us to party with individual creativity?

Catalog:
Time Machine

Tramendum
Purwanto SPA

PURWANTO SPA (Seno purwanto Aji)
Jombang-16 October 1974

Achievement Award:
2011 Nomination of “Nusantara exhibition, National Gallery of Indonesia.
2004 Graduate as the highest score from Jakarta Institute of Art
2003 Student with highest rank by Jakarta Institut of Arts

Solo Exhibition
Year 2003 “Hegemony, Village and The Forgotten” Painting Exhibition
at Imperial Country Hotel Arya Duta Lipo Karawaci Tangerang Indonesia

Selected Group Exhibition :
2013 :
Time Machine, Philo Art Space, Jakarta

2012
“Show Time” Jonant Gallery Tangerang Banten Indonesia.
“Idiotisme” Gudeg Gallery Tangerang Banten Indonesia.
“LPSB dan GalNas-Menyoal Tubuh” Gedung Cagar Budaya
Serang Banten Indonesia.
“Indie Art” Universitas Multimedia Nusantara Gading
Serpong Tangerang Banten Indonesia.
“Ke-Banten-an” Festifal Banten Indonesia.

2011
“A[R]TSEM” Hotel Dafam Semarang, Indonesia.
“Bagl Spring Time” Berlin Germany.
”Nusantara 2011” National Gallery of Indonesia.
“Jambore Nasional Pasar Seni Jaya Ancol 2011” Jakarta
Indonesia.

2010 Tramendum, Philo Art Space Fine Art 5th Anniversary
Exhibition, Galeri Nasional Indonesia,
Jakarta. “Baby Talks” Philo Artspace Jakarta. “ Wouw!!!”
Tujuh Bintang Art Space Yogyakarta. ”Feel The Vibe” Arslonga
Gallery Yogyakarta. “Indonesian with Love” Crown
Hotel Jakarta
2009 “Menyoal Patriarki” Painting Exhibition Philo Art Space
Jakarta Indonesia. “Fantasy Object” painting Exhibition
at Galery Millenium Jakarta. “#1 @empatpuluhtahun.
ikj” at Galeri Cipta II Jakarta. “The King” Borobudur International
Art Festival Magelang Central Java. “o,o Art
Project” Galeri Cipta II TIM Jakarta. “ Festival Hijau 6” BSD
City Tangerang Banten. Melukis Bersama”Anti Kosrupsi”
Departemen Pertanian Indonesia. 2009 “Transmisi” Museum
Kartini Jepara central Java
2008 “S[y]ure” Painting Exhibition Philo Art Space Jakarta
Indonesia. “100 Tahun Kebangkitan Nasional” Crown Hotel
Jakarta Indonesia

2007 “The World Of Soul” Art Exhibition at Biasa Gallery Yogyakarta
Indonesia. “Hold The Position” Painting Exhibition
Milenium Gallery Jakarta Indonesia

2006 “CaliGraphy” Painting Exhibition at Restaurant Gallery Gudeg
Citra Raya Tangerang Banten Indonesia.

2005 “Together with Tangerang Art Consult” at Tangerang Indonesia.
“Together With Jakarta Institutes of Art” at Cipta II GalleryTaman
Ismail Marzuki Jakarta Indonesia

2004 “Dunia Seni Rupa Sebagai Proses Pembelajaran” Indonesian
Fine Art Students Painting Exhibition at Indonesia National
Gallery Jakarta. “The End Year study” Exhibition at Cipta III
Taman Ismail Marzuki Gallery Jakarta Indonesia. “13+” Galeri
Cipta II Taman Ismail Marzuki.

2002
Exhibition of Indonesian Artist Wood Block Prints, at Gallery
Irenz Hintere Srasse 2070734 Fellbach Germany

“Seno and Deddy Paw “ Painting Exhibition at Ibis Hotel Kemayoran
Jakarta Indonesia
2000 “The very lately new movement” with Jakarta Institut of
Arts Jakarta Indonesia

1995to2002 Art Fest regularly painting exhibition at Sekolah
Pelita Harapan Lipo Karawaci Tangerang Banten Indonesia

1991 “Together” Sanggar Gebyar Painting Exhibition – Jombang
East Java Indonesia

Priyaris Munandar


The paintings of Priyaris Munandar show groups of human beings with erect objects in certain measurement. These groups do not form a random configuration, but they are in a formation that looks as if they are faced with a serious condition and that they are acutely aware of their own position. It is a realistic representation which reminds us that we are at all times in an alert-ready situation and that we may be at any times under threat. But the groups do not constantly explicitly separated, but mingle when it is obvious it is not possible to avoid it. Urban space is basically a competitive relational spirit!

Catalog:
Urban Signs

Priyaris Munandar

was born in Yogyakarta, February 27, 1980. He received his art
education at the Indonesian Art Instute Yogyakarta, Indonesia
graduated.

Awards
2010 Finalist Indonesia Art Award (IAA)
1999 The Best Sketch, Indonesia Art Institute Yogyakarta
50 Best Finalist in Championship Painting of Megawati’s Face,
Taman Budaya Solo, Solo

Solo exhibition(s):
2006 Exhibition“Hitam Putih” at Agas Hotel, Solo
2007 Exhibition “Face to Face” at Kartika Plaza, Bali

Selected group exhibition(s) last five years :
2013
Urban Signs, Philo Art Space, Jakarta
Art Stage. Singapore
“ Permainan ”. Dr. Rudi Corens Studio. Yogyakarta

2012
“Ruang yang Sama” Museum Haji Widayat, Magelang
“Kembar Mayang” Dalam rangka Ulang Tahun Dr. Oei Hong
Djien dan launching Museum OHD. Museum Haji Widayat, Magelang
“50 Golden Year in The Grace Of God” Bersukur kita Tunggal Ika, Galery HadiPrana Jakarta
“Borobudur Sociocultural” Rumah Seni Rupa Tuksongo dan Limanjawi Art House. Magelang
“Apeman Malioboro” di Gedung Pariwisata Yogyakarta
“Agitasi Garuda” Jogja Galery. Yogyakarta
“Isyarat Langit” Go art Space. Surabaya
“ The Body Painting Art War “ Ruang Patriot Pilar 9. Yoyakarta

2011
Ssstt…THIS IS ART WARNING in SYANG ART SPACE Magelang
BLING-BLING Public Art Project Pacific Place Jakarta
Bazar Art Jakarta The Ritz Carlton Jakarta
“Sekarat” Pameran 3 dimensi, Taman Budaya Yogyakarta
“Tubuh-Tubuh Margin” Phillo Art Space, Kemang Jakarta
“Transposisi” Bienalle Jatim, GO Art Space, Surabaya

2010
“Abstrak Indonesia” at Taman Budaya Yogyakarta,
“Art Liberation Front” at Biasa Gallery, Yogyakarta
“Energy 3” at Bentara Budaya Jakarta, Jakarta
“Expresif” at Jogja Gallery, Yogyakarta
“Hip! Hip! Hero!” at Galeri Apik, Jakarta
“Contemporaneity” Biennale Indonesian Art Award 2010 at Galeri Nasional Indonesia, Jakarta
“GREEN CARNIVAL” Public Art Project at Pacifik Place Jakarta
Bazar Art Jakarta at the Ritz Carlton Jakarta
Visit Us in the Asia Top Gallery Hotel Art Fair in Seoul-Korea
“TANAH JAWA” at Taman Budaya Yogyakarta
“JOGJA BANGKIT” at Jogja Nasional Musium Yogjakarta

2009
“BIENNALE JOGJA JAMMING X” ( IAF )
“INSTALASI AIR SENI” at Rawa Kalibayem, Yogyakarta
“Menjadi Indonesia” at Gedung Arsip National (National Archive Building), Jakarta
“Kebersamaan” at Biasa Gallery, Yogyakarta
“POST BOOM” with Kelompok Blok 9 at Syang Art Space, Magelang
Group with Persatuan Paguyuban at Taman Budaya Yogyakarta, Yogyakarta
“Seniku Tak Berhenti Lama” at Taman Budaya Yogyakarta, Yogyakarta
“Javanese Face” at C Star Prawirotaman, Yogyakarta

Okta Samid


Catalog:
#Hashtag
“OKTA SAMID” // sketceria //
Born in Malang. October 28, 1990. Education at Art faculty, Grapic Design Program at indonesian institute of the art yogyakarta ( ISI jogja)

award:
2nd place at “HONDA REVO” your style”, grafitty competition, Madiun (2007)
MURI mural 1001 tong smpah, TKMDII, Benteng VandeburgYogyakarta (2009)
Finalis of national mural competition (IGN), Kendal (2011)

Selected group exhibition:

2014: #Hashtag, Philo Art Space, Jakarta

2013:
bukan musik bukan senirupa” colabs with CPA, ISI jogja
Pameran poster film “made in indonesia”, SAE institut-Jakarta
The Wild Hunt art exhibition, tree house kemang, Jakarta
Pameran Nusantara, “META-AMUK”,Galleri Nasional, Jakarta

2012:
Ticket to the moon, kedai blakang, jogja
SEWON CALLING #2, ISI jogja
IN FUTURE WE BLUR, Jogja national museum
Gernaty longboard online exhibition, bali
new beginning art show, semarang

2011:
Diskomfest #4 at jogja national museum
Otak Antik exhibition, Batu gallery, Malang
IN CRAK WE TRAHS (skate day), cotton crew, jogja
participant BALI YANG BINAL , bali
Slonong boys, clycle in art’’,art café seminyak, bali
Drawing revolution, DGTMB shop, Jogja
Drawing lovers #3, sangkring gallery, Jogja
instan agogo” djendelo café, jogja
sanggar coret, jogja
INTUISI, Jogja National Museum
SEWON CALLING, kmpus ISI

2010:
Drawing lovers, UPT gallery, Yogyakarta
Pekan seni rupa’FIB, UI, Depok
Pameran Hari AIDS, jakarta
Paint on wall, project mural, puwokerto

2009:
Pameran T-shirt empat kota, Surabaya
“KMSI”, Malang

2008:
RING OF FIRE ‘DISKOMFEST #3 at jogja national museum

Nyoman Sujana Kenyem

The Ultimate High

Nyoman Sujana Kenyem – one of Bali emerging painters that holds a resilience of his own in dealing with the change of time. He does not inertly reside in the traditional space, but neither dose he merge himself totally into the ‘spirit of his era’. For Kenyem, creativity is not a rigid option for a complete and ultimate identity of a creation! He is flowing in the track that he tries to create which is evident in the uniqueness of his paintings.

This solo exhibition coincides with the 8th anniversary of Philo Art Space on 9th September 2013. It is such a delightful unison. To hold an exhibition is a convergent of ideas, vision, and imagination. Philo Art Space, that focuses on urban culture issues, is warmly welcomed by Kenyem, though he at first seemed to be a bit timid as he considered himself not a person that is not totally drenched in such culture.

Practically, Kenyem indeed does not touch the issues daily, but he is not that far away. As a figure that lives and was raised in Ubud – Bali, Kenyem is experiencing a unique cultural ambiance. Ubud represents a condition that is ‘everything there is’: traditional, modern, super-modern, quiet, calm, glittering, brown, yellow, white, black, et cetera. Ubud is a cultural condition that is beyond definition.

In his exhibited paintings, Kenyem expresses the threshold phenomenon between the urban world icons such as building jutting at the skies and big, tall trees as icon of the ‘noble savage’ (the awe-inspiring wild cosmos), between city and village, between progression and calmness, and the likes.

The uniqueness of Kenyem icons are themselves like active figures: small flower, sun, moon, hill, mountain, street from which we can sense the presence of nature. Specifically, these icons take us to the realm of ‘subconscious’ as they are confronted with the construction of modern consciousness that is presented as order of high-rise building to illustrate the urban people superego.

In his paintings, Kenyem expresses his admiration for the urban phenomenon while also inserting subtle criticism. Kenyem aesthetic can be seen from the obsession of urban people with ‘height’ which actually is a part of life realm mystery: the moon, sun, mountain, et cetera. Such obsession is obviously the depiction of urban people ambition to flaunt ‘height’ as daily issues that may be considered as ‘the power’ to control life as a whole.
Height as obsession or superego of urban people? How can we explain this? Urban people are perhaps no longer care about origins as they can easily break a problem link as they are threatened by the complexity of such problem that appears in front of them. From tender age they are faced with a variety of properties to own, and it was not easy to own them without having to pass certain struggle.

However, height is a concept that refers to the competition to achieve ‘the ultimate high’. Modernity is triggering such competition though a narration of human history which eventually will end at the perfection point where they find ‘the absolute self’. ‘Absolute self’ may only materialize in a relation amongst other selves that form a society, whether based on location or not. City becomes a representation of social relation where their citizens come from various places and with their own hopes. And it is the place where all those hopes converge into an obsession to reach the highest place driven by superego, that we then call ‘city’ of the urban people.

Some of Kenyem’s paintings display the un-avoided urbanization: how the awe of a city with its high-rises represents a part of our own psychology that beckons us. But perhaps, it is a part of our potential self that accuses us of being an underdeveloped person unless we pursue our dream in the city.

City is made of a variety of existences that do not touch each other, as with the movement of particle without door (monad), but on the other hand, the city is presenting strong communities which to Kenyem, these communities are the place to hang hopes from the remains of the spirit of solidarity to reach the highest. Thus the spirit of solidarity that is generally considered irrelevant in urban setting as it is seen as a typical rural spirit is presented here boldly, and indeed it is worth to be noticed.

Kenyem seems to be optimistic that the glam of a city indeed offers promises that may very well channel our potentials to reach the ultimate high, but we must be also aware that, our own subconscious realm which holds the wild nature that is astonishing as well, is a condition that attaches to us and become a part of our existence, be it urban or rural people. Remember, the concrete jungle of a city is only an extension of a jungle with its trees. The most important thing is to have the self awareness that the spearing superego has the subconscious as its base.
Happy exhibiting, Kenyem!

Tommy F Awuy
Curator

Catalog:
Highest

Curriculum Vitae

Born 9 September 1972 in Sayan, Ubud, Gianyar Bali
Studied at STSI Denpasar (1998)

Awards
1998:
The Best Artwork Tugas Akhir STSI Denpasar
1996:
The Best Painting Kamasra Prize, STSI Denpasar

Solo Exhibitions

2013:
Highest, Philo Art Space, Jakarta, Indonesia
G13 Gallery, Kelana Jaya, Selangor, Malaysia

2011:
The Bicycle Diaries, Komaneka Art Gallery, Ubud, Bali

2010:
Embracing Nature’s Poem, Ganesha Gallery, Four Seasons Resort Bali at Jimbaran Bay

2009:
The Bridges of Nature, D’Peak Art Space, Singapore

2008:
Symphony of Life, Kemang Village, Jakarta

2007:
Fulmoon in Bali, Sawah Art Gallery, Singapore

2006:
Heading for the Heart’s Way, Gaya Fusion of Senses, Ubud, Bali
The Art of Nyoman Sujana ‘Kenyem’, Montiq Art Gallery, Jakarta

2005:
Dance of Life, Conrad Bali Resort & Spa, Nusa Dua, Bali
The Abstraction of Leaves, Jenggala Gallery, Jimbaran Bali

2004:
Leafscape, Danes Art Veranda, Denpasar, Bali
Moving with in the Shadow, Ganesha Gallery, Four Seasons Resort Bali at Jimbaran Bay

1996:
Galeri Nakita Stockholm, Swedia

Group Exhibitions
2013:
The Arts Island Festival, BatuBelah ArtSpace, Klungkung, Bali
Sprites Art Project, Kintamani, Bali
The Straight Contour, Kupu-kupu Artspace, Jimbaran Corner, Bali

2012:
MahaArt Gallery, Denpasar
Gallery 7Adam, Singapore
Bersyukur Kita Tunggal Ika, Hadiprana Gallery, Jakarta
Sudamala: An Artistic Journey, Sudakara ArtSpace, Sudamala Suies & Villas, Sanur, Bali
Artists Museum Weeks, BatuBelah Art Space, Klungkung
On Going Echoes#3, Myanmar-Indonesia Art Exchange, Cemara 6 Gallery, Jakarta
Dialogue II, Gaya Art Space, Ubud, Bali

2011:
JakartaBienalle, Jakarta
Dialogue, G13 Gallery, Kelana Jaya, Selangor, Malaysia
Bertiga, Ambiente, Jakarta
Abstract Moment, Galeri Elcanna, Jakarta
On Going Echoes#2, Myanmar-Indonesia Art Exchange, Tanah Tho Gallery, Ubud, Bali
Bali Making Choices, Mondecor, Jakarta
Nusantara di Atas Kanvas, Bank Mandiri Denpasar & Jakarta

2010:
Solitude of the Earth II, Bentara Budaya Bali
MindScape, Galeri Nasional Indonesia, Jakarta
Solitude of the Earth, Bentara Budaya Yogyakarta
Beijing International Art Biennale, Beijing, China
Integritas Jiwa Tampak, Bentara Budaya Bali
On Going Echoes#1, Myanmar-Indonesia Art Exchange, New Zero Art Space, Yangon, Myanmar
Return to the Abstraction, Toniraka Art Gallery, Ubud Bali

2009:
Apa Ini Apa Itu, Djagad Art House, Lepang, Klungkung, Bali
Ar(t)iculations, Hanna Art Space, Ubud, Bali
Bentara Budaya Bali
Gallery M, Daegu, Korea
Sampoerna Strategic Square, Jakarta
Borderless World, Srisasanti Gallery, Yogyakarta

2008:
Silent Celebration, Toniraka Gallery, Ubud, Bali
Ahimsa, Bentara Budaya Jakarta
Bali Art Now, Jogja Gallery, Yogyakarta
Pada Sebuah Pesta, V-Gallery, Yogyakarta
Entitas Nurani, Art Center, Denpasar, Bali
Green, Sanur Village Festival, Denpasar, Bali

2007:
Ar[t]mosphere, Sanur Village Festival, Denpasar, Bali
Global Warming Kunstkamera, GWK, Jimbaran, Bali

2006:
Reconsculture, ARMA Museum, Ubud, Bali
Change Seasons, Komaneka Art Gallery, Ubud, Bali

2005:
Pre-Bali Biennale, Raka Gallery, Ubud, Bali
Bali Biennale, Danes Art Veranda, Denpasar, Bali
Art Singapore 2005

2004:
Tree of Life, Sembilan Gallery, Ubud, Bali
Dasa Muka, ARMA Museum, Ubud, Bali

2003:
TAI-Black, STSI Denpasar
Canna Gallery, Jakarta

2002:
Puri Lukisan Museum, Ubud, Bali

2001:
Kuta News, Titik Dua Building, Denpasar, Bali
Jenggala Ceramic, Jimbaran, Bali
Sembilan Gallery, Ubud, Bali
Bali Art Contemporary, Bentara Budaya, Jakarta

2000:
Plawa Bali Resto, Sanur
Face from the Mount, Sidik Jari Museum, Denpasar
Reflection II, Darga Gallery, Sanur, Bali
Five Painters, Ina Gallery, Jakarta

1999:
Tiga Nam Gallery, Ubud, Bali
Mandala of Life III, Purnabudaya, Yogyakarta
7 Painters Bali, Cipta II Gallery, TIM, Jakarta
Three Painters, Komaneka Gallery, Ubud, Bali

1998:
Canbera, Australia
Duo Sujana, Novotel, Tanjung Benoa, Bali
Bali Hyatt, Sanur, Bali
Mandala of Life II, Art Centre, Denpasar, Bali
Abstract Festival, Duta Fine Art, Jakarta
Reflection I, Darga Gallery, Sanur, Bali

1997:
Bali Art Festival XIX, Bali Art Centre, Denpasar, Bali

1996:
Mandala of Life I, Sika Art Gallery, Ubud, Bali
Three City, Monas, Jakarta

1995:
Expo 95, Jakarta
Nyoman Gunarsa Fine Art Museum, Klungkung, Bali
TATA Ubud, Bali
Peksiminas III, Jakarta

1994:
Sidik Jari Museum, Denpasar, Bali
Bali Art Festival XVI, Bali Art Centre, Denpasar, Bali

1993:
STSI Denpasar
Peksiminas II, STSI Denpasar, Bali

1992:
Art Centre, Denpasar, Bali

Nur Milisani

The spotlight on ‘urban culture’ is for contextual reason only. Urban issues or themes have given artists a lot of events, cases and issues that are challenging to be responded to; it is a general understanding that the changes in the society and the changes in the whole nations are coming from the changes in the urban space. Artists are challenged to take a stance about all the changes: either they have to go with the sweep of the flow or they gather their resolve and stand against it no matter how impossible it may seem.

Catalog:
Anniversary Expressions

Nur Milisani
Palembang, 12 Desember 1975
Selected Group Exhibitions:
2012
Anniversary Expressions, Philo Art Space 7th Anniversary, Jakarta
Pameran Bersama “LANA GALERY” Yogyakarta
Pameran Bersama “TEMBI GALLERY” Yogyakarta
2006
IPameran Lukisan “LANA GALERY”
Pameran Seni Rupa “ART FOR JOGJA” Taman Budaya Yogyakarta
2002
Pameran Seni Rupa “KELOMPOK UBLIK” Benteng Vredeburg Yogyakarta
1999
Pameran Seni Rupa Sanggar “BIDAR SRIWIJAYA” Purna Budaya Yogyakarta
1991 – 1998
Aktif pameran bersama di Palembang dan Yogyakarta

Lenny Ratnasari Weichert


Lenny’s sculptures show figures of women still having trouble with their own existence. This is a phenomenon that cannot be freed from the history of women, especially on sexual relations. The long history of sexual relations or gender discrimination has provided its shares of women’s depression in ‘women’s fate’ related to their body. It is the body of women that gives life to life, but it is also the body that has been subjected to abuse and subjugation throughout history.

Catalog:
Urban Signs

Lenny Ratnasari Weichert

Educations:
2005 The Hartnackschule Berlin, private school of languages
1995 – 1996 Juhasz Gyula College, Faculty of Fine Arts, Szeged, Hungary
1993 – 2005 Fine Arts (Sculpture), Indonesian Institute of Arts (ISI)
Yogyakarta
1990 – 1995 IKIP Teacher

Award and Residencies:
Residencies Art Collaboration Project U(Dys)topia 7 weeks in Dresden
and Berlin Germany
Lived and residencies in Singapore (PR) 2007-now
Lived and residencies in Berlin Germany 2005-2007
Visiting Arts/Delfina International Fellowship Artist for 2002-2003 London
United Kingdom.
Residence for 2001 (3 months) in Netherland
Residence Artist for 1995-1996 in Juhasz Gyula College, Szeged, Hungary.

Solo Exhibition(s):
2003 Open Studio, Sky Light Gallery, Delfina Studio, London, UK (solo)
Artist-in-Residence, Visiting Arts/Delfina International Fellowship
Artist, London, UK

1998 Up to You Kedai Kebun, Jogyakarta, Indonesia (Solo)
1996 Kotodesek Impala Haz Gallery, Szeged, Hungary (solo)

Selected group exhibition(s) last five years :
2013
Urban Signs, Philo Art Space, Jakarta

2012
Java Spices International Visual Art Exhibition Jogja National
Museum. Jogjakarta
10 Jakarta Female Artist Museum of Fine Art and Ceramic Jakarta.
Indonesia dimata Perupa Gedung Nusantara V Jakarta, Curated by Weye haryanto
Contemporer Sclupture Locafore Kota Baru Parahyangan-Bandung, Curated by Asikin hasan
Dresdner BIENNALE-KUNSTFESTIVAL ORNÖ Dresden Germany
Bulan, Bintang dan Matahari (Isyarat Langit) GO Gallery Surabaya,Indonesia, Curated by Soewarno W.
Buruh Melintas batas -Artspirasi- Galeri Cipta II Jakarta
Wall of Fiction Indonesian National Gallery Jakarta Indonesia,Curated by Frigidanto Agung
Negari Yogyakarta Hadiningrat Museum National of Jogjakarta,Curated by Dwi Marianto
Kembar Mayang, Museum Widayat Magelang.

2011
Jakarta Biennale XIV ‘Maximum City’ Curated by Bambang Asrini

Woman in Art Power Purna Budaya UGM. Yogyakarta

Crossing Signs 14 artists form Germany and Indonesia, experiencing the ‘liminal zone’, Taman Budaya Yogyakarta
and Indonesian National Gallery, Jakarta. Curated by Leonor Veiga (Portugal) and Sudjud Dartanto (Indonesian)
Speak off Jogja National Museum

2010
Power Wagon JNM Jogjakarta Indonesia
U(Dys)topia Art Collaboration – 7 Indonesian and 7 German
Artists in Gallery HfBK Dresden and Freies Museum
Berlin, Germany Curated by Martin J. (German)

2009
Mabuk Sampah Art’s Community PEREK. Biennale Jogyakarta.
Vote Notes LAB.LT. Tembi Contemporary Jogjakarta
Exposign ISI JOGJAKARTA – Jogja Galeri Jogjakarta, JEC Jogjakarta.
September Ceria Jogja Gallery, Jogjakarta
Kunduran Truk Perempuan Experimental. Kersan Art Studio-Jogyakarta. Curated by Rahmaniani
Blueprint for Jogya Tembi Contemporary Jogyakarta
Exhibionist Kersan Art Studio, Jogyakarta Indonesia

Kahfi Eska Yusac


Catalog:
#Hashtag
Kahfi Eska Yusac
Born in Denpasar, December 22, 1989.

award:
Mural contest finalists IGN sugar mills, kendal
1st mural kontes new media university , Denpasar, bali.

Selected group exhibition (s):

2014: #Hashtag, Philo Art Space, Jakarta

2013:
Diskom Drawing Foundation “lost in destination: Toko Buku Toga mas Yogyakarta.

2012:
Jogja national Museum ?In Future We Blur , Jogja national museum,

2011:
Diskomfest 4 Culture Expansion, Jogja Nasional Museum,Yogyakarta
Intuisi, Jogja Nasional Museum, Yogyakarta
Drawing Revolution, FFR / DGTMB shop Project,
Founder Sewon Calling” Music and Art,ISI Yogyakarta,
Colaboration with The Dolltrap “Diskomfest 4”, JNM, Jogja
Mural exhibition bali yang binal, Bali
Pameran cycle in art exhibition “SLONONG BOYS”, art café, bali

2010:
Pameran uny, jogja
Diskomplet, Bentara Budaya Jogja

2009:
Pameran ddf, lorong kampus isi yk, Jogja
Kmsi, malang
Mural bersama jogja mural nation, malioboro

Joko Sulistiono


The paintings of Joko ‘Gundul’ Sulistiono bring forward festivity that we often see in city murals. People are constantly moving forward, their mind focused on the way ahead, trapped in their own choices and surrounded by the products of modern technology, information, transportation, and many things. But by replacing the modern human with the archaic characters of the Punakawan, we are then perturbed by the question: are we mentally capable of dealing with such sophisticated environment?

Catalog:
Urban Signs

Joko Sulistiono

Born in Grobogan, April 10, 1970. He received his art education
at the Indonesian Art Instute Yogyakarta, Indonesia graduated.

Awards
2000 The best 5 Phillip Morris Indonesia Award
Solo exhibition(s):
2005 Pameran di “ Mata “ Galler, Bali
2003 Pameran di KOONG Gallery, Jakarta
1998 Pameran “Sesak” di AIKON, Yogyakarta
Pameran “ Sampah “ di Dria Manunggal Yogyakarta

Selected group exhibition(s) last five years :
2013
Urban Signs, Philo Art Space, Jakarta

2012
Pameran di taksu gallery Bali
Pameran di upt ISI Yogyakarta
Pameran kembar mayang museum widayat Magelang
Pameran di JNM Yogyakarta
Pameran abdorror d museum dan tanah liat Yogyakarta
Pameran abdorror Belanda

2011
Pameran jogja news jnm Yogyakarta
Pameran Spirit 90 santrian gallery Bali
Pameran di SYANG Magelang
Pameran bazart Jakarta
Pameran tribut nur kholis TBY Yogyakarta

2010
Pameran bank bank krut bentara budaya Yogyakarta
Pameran “ INVENTORY” pesantren kaliopak Yogyakarta
Pameran “ Matahari” kelompok PP TBY Yogyakarta
Pameran hip !,hip!,HERO di gallery apik Jakarta
Pameran kel. Parkiran *POWER WAGON* jnm Yogyakarta
Pameran mask and face andi gallery Jakarta
Pameran artdelicious 7 bintang Yogyakarta
AAF apik gallery Singapore
Pameran di JAD ,andi gallery Jakarta
Pameran FSS Surabaya
Pameran tanah jawa tby Yogyakarta
Pameran jogja art share di jnm Yogyakarta

2009
Pameran senang senang 7 bintang art space Yogyakarta
Pameran seniku tak berhenti lama, TBY Yogyakarta
Pameran jogja insign sozo Surabaya
Pameran exposign jec Yogyakarta
Pameran Bienalle jogja x Yogyakarta
Pameran pacific place Jakarta

Jange Rae

Jange Rae uses the existence of mutants as a mean to understand human activities that are indifferent to their space and time. What they care about is only performance: how their own self shall exist. As with mutants, issues on essence is irrelevant to be brought forward and it is because of that, the space and time become pliable between the nostalgia and the future. We can make them present in our performance wherever we are.

Jange Rae interprets mutants as a broad process: either as a scientific engineering or as natural genetic. Of course mutants are an issue of genetic process, hence comes the complicated problem of definitively understanding it: that the genetics, with the advances in cutting-edge technology, are capable of turning the human bodies into whatever they desires, including turning them into half-robot, cyborg. Are mutants identical to cyborg? – while in the initial understanding, mutants are result of genetic process that occur naturally in the human evolution.

Mutants, according to the concept of Jange Rae, in their function are aesthetically presented. Genetic diversion would absolutely bring forward visual tension – but perhaps for only a while. It will soon be replaced by an awareness that mutants are a generation whose inner self is aware of the binary relation and they perhaps even exceed it. And therefore they become a generation –X. Furthermore, Jange Rae emphasizes that mutants are no other than urban aesthetics!
Catalog:
X:a duo exhibition

JANGE RAE

Bandung, January 26, 1974

Solo Exhibitions :
2012 Solo Exhibition at YAYAA warung & Art space,Bali
2009 Solo Exhibition at Soka Gallery, Kemang Jakarta
2006 Solo Exhibition at Utterly Art Gallery, Singapore

Selected Group Exhibitions :

2013
“X”, Philo Art Space, Jakarta, Indonesia
“Picturing Pictures”, Ho Chi Minh City Fine Art Museum, Vietnam
“Gado-Gado”, A Mixture Of Fine Indonesia { ART } Delicacy’, The Gallery At Star Hill, KL Malaysia
“Asia Contemporary Art Show”, JW MARRIOTT HOTEL, Hongkong
“The Idol Of The Things”, House Of Sampoerna Gallery – Surabaya, Indonesia
“Multeity In Unity”, Art Xchange, Ion Art Gallery, Singapore
“Beyond Graffiti”, Ion Art Gallery, Singapore

2012
“Art For A Cure”,because artspace, Naples, Italy
“Asia Top Gallery Hotel Art Fair”, Hongkong
“Spoon Art Fair HK 12”, Hongkong
“Asia Contemporary art Show”, Hongkong
“Affordable Art Fair”, Singapore,
“Art Fair Malaysia”, Malaysia

2011
“Urban In Between”, Philo Art Space, Jakarta Indonesia
“Expo For Mattia”, Naples, Italy
“Private exhibition at Hall” in Tirol, Austria

2010
“Packaging”,Philo Art Space,jakarta
“Menilik Akar”, Indonesia National Gallery, Jakarta
“Subject Expose (s)”, Arslonga Gallery, Jakarta

2008
“Jali-jali Jakarta”, Rumah Jawa, Kemang, Jakarta
“Silence of the City”, Denindo Art House , Jakarta

2007
Karya terbaik Kompetisi Jawa Barat,Galeri Kita Bandung

1999
“Bunga-bunga Bali”, Bali Cliff Hotel, BaliJava

Irman A. Rahman

Irman Rachman put more emphasize on the functionality of the head and body in mutants. The history of civilization has its unique way of looking at human from two different main points: the head and the body. This we can surmise as Platonic legacy with Aristotelian presence: that the head and the body epitomize the metaphor of abstract realm and the realm of pleasure, and yet, both are merged in the entity that is called human.

In mutants, their heads are indeed conspicuous. We can see various example of mutants head that resemble mouse, orang utan, bat, lion with pathetic, agitated, scary, and other temperaments. We can also see bodies in resemblance of lizard, tree, donkey, and many others. Mutants, in short, are acutely imaginative beings with remarkable visual performance.

Irman sees mutants from the immanence image above – that we and mutants are the problems in our own world of life. We and mutants are all over the place, either performing the same or different thing, destructing the environment, chasing and destroying the enemies – we get back to the relation of the head and the body. That both may occasionally or sometimes in agreement or in contest.

Catalog:
X:a duo exhibition

IRMAN A. RAHMAN

Bandung, July 16, 1970

Awards
2006 The Big Five of JABAR Art Competition
2001 The Best Ten of Philip Morris Indonesian Art Awards
1999 The Big Five of Winsor & Newton Indonesian Art Awards
1998 The Big Five of Philip Morris Indonesian Art Awards

Solo Exhibitions :

2008 “Notabilia” Selasar Sunaryo Art Space (Bale Tonggoh), Bandung
2005 “Index of Sign” CP Artspace, Jakarta

Selected Group Exhibitions :

2013
“X”, Philo Art Space, Jakarta, Indonesia

2011
“ART MOTORING” Galeri Nasional, jakarta
“AESTHETIC RESPONS” Elcana Gallery, jakarta

2010
“HALIMUN the mist”, Lawang Wangi Art & Science Estate, Bandung
“EXODUS OF BANDUNG”, The Aryaseni Art Gallery, Singapore
“DEEP IN STORE”, CG Artspace, Jakarta
“PERCAKAPAN MASA” Galeri Nasional, Jakarta
“Korean International Art Fair (KIAF), Korea
“UNNATURAL SELECTION” Kendra Gallery, Bali

2009
“FROM THE WORLD WITH LOVE”,INTERNATIONAL MAIL ART, SENI RUPA KORAN PROJECT,BANDUNG
“REBORN” H2 Art Gallery, semarang
“GRIP” Art District, Beijing, China
Bandung Initiative, Rumah Rupa, Jakarta
“COMMON SENSE”, Galeri Nasional, Jakarta

2008
“MANIFESTO”, Galeri Nasional, Jakarta
“RENDEZVOUS”: Sehari Bersama 13+ Seniman Bandung,CG artspace, Jakarta

2007
“GLOBAL WARMING KUNSTKAMERA” , GWK, Bali

2006
“21st Asian International Art Exhibition, Singapore Museum Of Art, Singapore

2005
“20th Asian International art Exhibition, Ayala Museum, Manila, Philipina

2004
“Dialogue” C+ Gallery, Bandung

2003
“Interpellation” CP Open Biennale, National Gallery, Jakarta

2002
“10th Asian Art Biennale Bangladesh”, Dhaka, Bangladesh
“Eksplorasi Medium, Eksplorasi Gagasan”, Bantara Budaya, Jakarta
“17th Asian International Art Exhibition”, Daejeon Municipal Museum Of Art, Daejeon, Korea

2001
“RE FLECTION”, Edwin Gallary, Jakarta
“The Unstable logic” Soemardja Gallery, FSRD ITB, Bandung; Edwin Gallery, Jakarta
“Biennale Bandung Art Event”, Nu Art Sculpture Park, Bandung
“8th Philip Morris Indonesian Art Awards”, National Gallery, Jakarta

1999
“Winsor & Newton Indonesian Art Competition” Hidayat Gallery, Bandung
“Winsor & Newton International Art Competition”, Mall Gallery, London; World Trade Centre,Stockholm; United Nation, New York

1998
“5th Philip Morris Indonesian Art Awards”, National Gallery, Jakarta
“5th Philip Morris ASEAN Art Awards”, Opera House, Hanoi, Vietnam
“Kepada x”, Cipta Gallery, Taman Ismail Marzuki, Jakarta

Ibrahim

The intentionality of Ibrahim is very challenging, infiltrating and becoming an internalization of being with nature. There is almost no visible line between the me-nature. Subjects are no more than lanscape where consciousness are manifested in the borderlines of the still and escotheric space-time. We are brought to the situation of relation between interiority and exteriority that shed their selfness and material gown.

Ibrahim’s paintings starkly represent the world of impression. Human in its selfness is melting and objects are no longer within touch like wall that creates the distance between me-object into a spiritually collective conscious mind. This does not signal the end of the journey but instead the more it shifts as is shown by the fibrant display of lines and colors.
Catalog:
Intentionality

IBRAHIM

Was born in Bukittinggi 27 oktober 1975
Education at Indonesian Institute of Art Yogyakarta, Indonesia

Award:
2001 Finalist Phillip Morris Indonesia Art Award

Selected Solo Exibition(s):
2012 No Story di Rumah Seni Embun Medan
2008 Sunyi Di Tengah Riuh Gallery Semarang

Selected group Exibition(s):
2014
“Intentionality”, Philo Art Space, Jakarta, Indonesia

2013
Para Pengajar Seni Rupa 2013: “Melihat/Dilihat” Galeri Nasional Indonesia
Motion and Rhythm, sangkring art project, yogyakarta
Emosi dan Rasa, go art space, Surabaya
Traditional and Modernity ISI Padangpanjang di H K U .Utrecht. Neaderlands
homo ludens 4 di taman budaya bali
bertiga ‘Lihat’ di Taman Budaya Padang.

2012
Kembar Mayang di Museum Widayat . Magelang
Freekick di Convention Hall Royal Square, Surabaya.
BIENNAL SUMATERA di Taman Budaya Sumatera Barat
Merapi Singgalang di Rumah budaya Fadlizon .padangpanjang
Garis Bawah di gedung M.Syafei kota padangpanjang

2011
cross over Tujuh Bintang Gallery Yogyakarta
Up Reasing 96 Taman Budaya Yogyakarta
ARTJOG II Taman Budaya Yogyakarta
Betawi dan Jakarta tempo doloe Gandaria city Jakarta

2010
BAKABA Sakato art community Jogja Nasional Museum

2009
Trap[esium]Edwins Gallery Jakarta

2008
Survey Edwin Gallery Jakarta
Sunyi Di Tengah Riuh Gallery Semarang

2007
Dua kota,STSI Padang Panjang,Taman Budaya Sumatra Utara, Medan
jogja art fair, Taman Budaya Yogyakarta
E-Motion,Visual art,Gallery Nasional Jakarta
Detik 96 Sangkring art space Yogyakarta

2006
Spirit, V-art gallery,Yogyakarta

2005
Spirit of play, Bentara Budaya Yogjakarta
re-reading landscape Nadi,gallery Jakarta

2004
campur-campur Taksu gallery Jakarta
Mempertimbangkan Tradisi (sanggar sakato) gallery Nasional Jakarta

2003
Gelar karya isi di Museum Nasional Jakarta
Festival Kesenian Indonesia di stsi Surabaya
Diesnatalis isi gallery isi yogyakarta
2002
bersama lukis dan patung “manusia 2002” dirix gallery
jadikan aku pacarmu sanggar caping benteng fredenburg yogyakarta
Phillip Morris Asean Art Award di hotel Seraton Bali
Fathomles 7 di miens gallery Yogyakarta

2001
lukis bertiga di dirix gallery yogyakarta
phillip morris indonersia art award gallery nasional Jakarta
11 (sebelas) gelaran budaya yogyakarta

2000
gelar seni pertunjukan

1999
kelompok sakato di purna budaya yogyakarta
kelompok detik 96 di purna budaya yogyakarta
festival kesenian Indonesia gallery isi yogyakarta

1998
kelompok detik 96 di purna budaya yogyakarta

1997
kelompok sakato di purna budaya yogyakarta

 

Feri Eka Chandra


Feri Eka Candra membidik sebuah ruang yang diam, meditatif, steril, ruang perpustakaan darimana produk pengetahuan abstrak kita muncul dari sana. Ruang perpustakaan kemungkinan sebuah ruang yang dengan sendirinya mengambil garis batas yang tegas dan hampir tak bisa berkompromi dengan ruang keseharian manusia pada umumnya.

Catalog:
My Space

Feri Eka Chandra
Batu Sangkar, West Sumatra, 15 Desember 1978. Indonesia
Institut of Art (ISI) Yogyakarta.

Selected Group Exhibitions
2011 : My Space, Philo Art Space, Jakarta. ‘City of
West’, Green Artspace, Jakarta.

2010 : ‘Bakaba’, Sakato
Art Community, Jogja National Museum, Yogyakarta.

2008 : Singapore Art Fair 2008, Asian Contemporary
Art, Sun City, Singapore. ‘Coherence’ Bika Gallery, Jakarta.
‘Manifesto’ Pameran Besar Senirupa Indonesia,
Galeri Nasional, Jakarta. ‘Sin Sign’ Gracia Art Gallery,
Surabaya. ‘Harlequin’ Langgeng Gallery, Magelang.
‘Hulu Fantasi’ One Gallery, Jakarta. ‘Boys/Girls’ Edwin’s
Gallery, Jakarta. ‘Tekstur Dalam Lukisan’, Jogja Gallery,
Yogyakarta. ‘Kompetisi Seni Lukis Jakarta Art Award II,
Pasar Seni Ancol, Jakarta